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| Untitled, 2026, oil on aluminium, 20 x 15 cm |
T̓łat̓ła̱sk̓udis Sointula
8 November - 7 December 2024
Haydens Gallery
Naarm Melbourne
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T̓łat̓ła̱sk̓udis Sointula, 2024 |
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T̓łat̓ła̱sk̓udis Sointula, 2024 |
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T̓łat̓ła̱sk̓udis Sointula, 2024 |
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T̓łat̓ła̱sk̓udis Sointula, 2024 |
oil on aluminium composite off-cuts, each 10 x 14 cm
The works presented for Haydens are the result of time on residency in a small island community of T̓łat̓ła̱sk̓udis Sointula in the north island region - the Kwakwaka'wakw Territories - in British Columbia in Canada.
The light in the gallery is very still and even but because of their materiality (oil on aluminium) the appearance of the works in this exhibition vary with the light as a viewer moves through the space.
Documented by Christian Capurro and Haydens
Photograph Video: the garden 1
23 August - 10 September 2024
Window Gallery
T̓łat̓ła̱sk̓udis Sointula, Canada
Video still, Photograph video: the garden 1, 2024
Installation view, Photograph video: the garden 1, 2024
Installations view, Photograph video: the garden 1, 2024
The Window Gallery is located at the Sointula Art Shed - an old work shed (with a fishing net mending loft) that is now an art space in a residential street in a small village in the north island region - the Kwakwaka'wakw Territories - in British Columbia, Canada. This work was developed while on residency during August 2024.
The video shows an instant photograph that has been filmed for the duration of its development, on the ground, in the location where the photograph was taken. The site in this instance was just to the left of the window gallery, in the garden that surrounds The Sointula Art Shed where I was working at that time.
Through the video's duration the layering of images presented are complicated by their materiality and incidence of that moment in time: the movement of wind and insects passing; the roar of a car passing and voices of others working nearby; and my own shifting weight as I sit behind the camera.
never together
20 July - 18 August 2023
Lara Chamas, Matilda Davis, Christopher Duncan, Evangeline Riddiford-Graham, Fiona Williams
Curated by Victoria Wynne-Jones
Futures Gallery
Untitled, 2023, Cyanotype on Somerset velvet white 300 gsm, 18 x 24.5 cm. Unique (one of pair)
installation view, never together, 2023,
A rain cyanotype made in response to an oblique moment from Helen Garner's short story 'In Paris'.
Equinox_1:03PM NZST_23-9-2223rd September – 8th October, 2022
Lynn Marie-Kirby (PDT) -7 Jessika Kenny (PDT) -7 Azadeh Emadi (BST) +1 Wolfgang Weileder (BST) +1 Dillwyn Smith (BST) +1 Steve Sutton (BST) +1 Fiona Williams (AEST) +10 Rodney Cross (AEST) +10 Chris Braddock + Guests (NZST) +12 Balamohan Shingade(NZST) +12 Layne Waerea (NZST) +12 Eamon Edmunson-Wells (NZST) +12 Ziggy Lever (NZST) +12 The Observatory Project (NZST) +12
Organised by Eamon Edmundson-Wells, Chris Braddock, and Ziggy Lever.
St Paul St Gallery
Tāmaki Makaurau Auckland, New Zealand
Installation view, 2021
Installation view, 2021
Installation view, 2022
Video still, Photograph video: equinox, 2022
The video above was made during the equinox in Tāmaki Makaurau Auckland in 2022 as artists and guests met in Gallery 2 at St Paul St Gallery at AUT. The video was available online for the last day of the exhibition. It documented the breadth and simultaneity of the shared moment, including guests from far away speaking and viewing other photographs developing live via zoom.
Full exhibition documentation can be found here +
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Plants as arranged by Miss Reid Floral Studio whose space is shared with Favour.
After the exhibition opening a walk took place (with a small group of interested people) through the nearby forest, illuminated by the local glow worms.
Photographed by Justin Spiers. View detail shots of works via hyperlinked titles under images. Documentation in variable light by the artist here.
Elbow-room in the universe
22 - 25 January, 2020
Amy Howden-Chapman, Fiona Williams, Sholto Buck, val Smith, Sonya Lacey.
Curated by Victoria Wynne-Jones
Enjoy Contemporary Art Space
Wellington Te Whanganui-a-Tara, New Zealand
Elbow room in the universe, installation view, 2020
Elbow room in the universe, installation view, 2020
Elbow room in the universe, installation view, 2020
Fiona Williams, Untitled, 2020
alkyd oil on aluminium, 400 x 600 mm
Fiona Williams, Untitled (where the cat lay II), 2018
alkyd oil on aluminium, 400 x 600 mm
Fiona Williams, Untitled, 2018, Untitled, 2018
alkyd oil on aluminium, varnished, 135 x 192 mm
Fiona Williams, Untitled, 2017
alkyd oil on aluminium, 400 x 300 mm
Elbow room in the universe, installation view, 2020
Photographed by Cheska Brown and Enjoy Contemporary
( ... )
May 25 & 26 2019
Fiona Williams & Ruth Höflich
DAVID
Naarm Melbourne
( ... ), 2019, installation view, David
Fiona Williams, Untitled, 2018
alkyd oil on aluminium
13.5 x 19.2 cm
Untitled (video still), 2017
alkyd oil on aluminium
19.9 x 60 cm
Untitled (cat), 2017
alkyd oil on aluminium
40 x 60 cm
Untitled, 2017
alkyd oil on aluminium
40 x 60 cm
Paintings exhibited alongside Ruth Höflich's video piece 'Silver Cords', 2019.
Photographed by Christian Capurro at DAVID, 1/122 Gertrude St, Fitzroy, May 2019.
The Mechanic, Part 2
25 October - 3 November, 2018
Curated by Nick Kleindeinst and Neon Parc
Albert Oehlen, Benni Bosetto, Carla Milentis, Dale Frank, Damiano Bertoli, Dan Arps, Elizabeth Newman, Erica McGilchrist, Fiona Williams, Janet Burchill & Jennifer McCamley, Lou Hubbard, Masato Takasaka, Nick Ryrie, Peter Maloney, Phyllida Barlow, Rea Burton, Rob McLeish, Sean Peoples, Travis MacDonald.
Neon Parc Offsite
Brunswick, Naarm Melbourne
The Mechanic, Part 2, 2018, installation view, Neon Parc Offsite. Photograph by the artist.
The Mechanic, Part 2, 2018, installation view, Neon Parc Offsite. Photograph by Neon Parc.
Works configured by Nick Kleindeinst & Neon Parc.
Untitled, 2018
alkyd oil on aluminium
13 x 19.3 cm
Untitled (where the cat lay II), 2018
alkyd oil on aluminium
40 x 60 cm
Untitled (path), 2018
alkyd oil on aluminium
40 x 60 cm
Part of ‘In Bloom’ at SPRING 1883 +