.

Photograph Video, 2026, 5:59mins, single-channel digital video

part of If Cows Didn't Like Mustard Film Programme, organised by Lucy Meyle and Ziggy Lever, 15 August 2026, Gus Fisher Gallery,Tāmaki Makaurau Auckland, Aotearoa New Zealand.

T̓łat̓ła̱sk̓udis Sointula

8 November - 7 December 2024

Haydens Gallery

Naarm Melbourne

T̓łat̓ła̱sk̓udis Sointula, 2024

T̓łat̓ła̱sk̓udis Sointula, 2024

T̓łat̓ła̱sk̓udis Sointula, 2024

Untitled (T̓łat̓ła̱sk̓udis Sointula), 2024

oil on aluminium, 10 x 14 cm

Untitled (T̓łat̓ła̱sk̓udis Sointula), 2024

oil on aluminium, 10 x 14 cm

Untitled (T̓łat̓ła̱sk̓udis Sointula), 2024

oil on aluminium, 10 x 14 cm

Untitled (T̓łat̓ła̱sk̓udis Sointula), 2024

oil on aluminium, 10 x 14 cm

The works presented for Haydens are the result of time on residency in a small island community of T̓łat̓ła̱sk̓udis Sointula in the north island region - the Kwakwaka'wakw Territories - in British Columbia in Canada.

The light in the gallery is very still and even but because of their materiality (oil on aluminium) the appearance of the works in this exhibition vary with the light as a viewer moves through the space.

Documented by Christian Capurro and Haydens

Photograph Video: the garden 1

23 August - 10 September 2024

Window Gallery

T̓łat̓ła̱sk̓udis Sointula, Canada

Video still, Photograph video: the garden 1, 2024

Installation view, Photograph video: the garden 1, 2024

Installation view, Photograph video: the garden 1, 2024

Installations view, Photograph video: the garden 1, 2024

The Window Gallery is located at the Sointula Art Shed - an old work shed (with a fishing net mending loft) that is now an art space in a residential street in a small village in the north island region - the Kwakwaka'wakw Territories - in British Columbia, Canada. This work was developed while on residency during August 2024.

The video shows an instant photograph that has been filmed for the duration of its development, on the ground, in the location where the photograph was taken. The site in this instance was just to the left of the window gallery, in the garden that surrounds The Sointula Art Shed where I was working at that time.

Through the video's duration the layering of images presented are complicated by their materiality and incidence of that moment in time: the movement of wind and insects passing; the roar of a car passing and voices of others working nearby; and my own shifting weight as I sit behind the camera.

never together

20 July - 18 August 2023

Lara Chamas, Matilda Davis, Christopher Duncan, Evangeline Riddiford-Graham, Fiona Williams

Curated by Victoria Wynne-Jones

Futures Gallery

Naarm Melbourne

Untitled, 2023, Cyanotype on Somerset velvet white 300 gsm, 18 x 24.5 cm.

Unique (one of pair)

installation view, never together, 2023,

A rain cyanotype made in response to an oblique moment from Helen Garner's short story 'In Paris'.

Equinox_1:03PM NZST_23-9-22
23rd September – 8th October, 2022

Lynn Marie-Kirby ^{(PDT) -7}Jessika Kenny ^{(PDT) -7}Azadeh Emadi ^{(BST) +1}Wolfgang Weileder ^{(BST) +1}Dillwyn Smith ^{(BST) +1}Steve Sutton ^{(BST) +1}Fiona Williams ^{(AEST) +10} Rodney Cross ^{(AEST) +10}Chris Braddock + Guests ^{(NZST) +12}Balamohan Shingade^{(NZST) +12}Layne Waerea ^{(NZST) +12}Eamon Edmunson-Wells ^{(NZST) +12}Ziggy Lever ^{(NZST) +12}The Observatory Project ^{(NZST) +12}
^{Organised by Eamon Edmundson-Wells, Chris Braddock, and Ziggy Lever.}

St Paul St Gallery

Tāmaki Makaurau Auckland, Aotearoa New Zealand

Video still, Photograph video: equinox, 20

This video was made as exhibiting artists and guests met inside Gallery Two, at the time of the equinox, including artists who were present via video call. The video was available online for the last day of the exhibition. This work documents the breadth and simultaneity of the shared moment through images and the voices that can be heard, including guests from far away speaking and viewing other photographs developing live via zoom.

Cohabitants

19 August - 17 September 2022

Favour

Ōtepoti Dunedin, Aotearoa New Zealand

Installation view, Cohabitants, 2022

Untitled, 2021, oil on aluminium

Untitled (sodden camellias), 2020, oil on alluminium

Untitled, 2021, oil on aluminium

Untitled (sheoak), 2021, oil on aluminium

Plants as arranged by Miss Reid Floral Studio whose space is shared with Favour.

After the exhibition opening, a walk took place with a small group of interested people, through the nearby forest to an area illuminated by glow worms.

Photographed by Justin Spiers. View detail shots of works via hyperlinked titles under images. Documentation in fluctuating light here.