Picture the artist Fiona Williams. Uncertainty unfolds as a process of questioning tested against how the work might be constituted once it enters ‘the world’—how to make the lightest of interventions, the smallest of touches, and how to capture atmospheres that are as light as the airiest of abstractions. Fiona’s dusty, light-drenched, starlight drawings and cyanotypes struggle to ‘represent’ that which can’t be represented (an ethical approach that actively delays the violence of representation)—the transparency of air is ‘captured’ through a range of mediating agents… illumination, camera-less image capture, the drawings of the artist…

- excerpt from Hesitation catalogue essay by Jan Bryant