These notes are some of the guidelines that I use with the aim to make my painting practice more safe for our environment (and as a result also me). They are responses too to Qs commonly asked, a work in progress, hopefully it is helpful!


  • Working with solvents is not necessary for oil painting. Often artist grade linseed/poppy/safflower oil is sufficient for blending and vegetable oil you can use for clean up. There are solvent alternatives too, for instance safe solvent-like products. Do your research and you can actually minimise the use of toxic products greatly.


  • Most materials have safety data sheets -- a lot of information can be found on there, for instance which colours harm sea life ie. 'Chinese White' has a component that harms sea life, cadmiums too. The information you find does depend on current standards and research. For instance other countries have different standards. MDF imported from China can contain asbestos.

  • Be mindful of which detergent or soap you use as they can include harmful ingredients. Surfactants like SLS or sodium laurel sulfate (and laureth depending on how it is processed) are irritants; phosphates too. And while both may not be classed 'toxic' for humans they are harmful in the water table and for the environment as a toxin and in the form of nutrient pollution respectively. Phosphates persist even after waste water is treated. We don't really need so many suds and there are less harmful soaps available like castille soaps. Phthalates (sometimes listed as 'fragrance') is a common irritant (especially this is an issue now with many people suffering respiratory issues post-covid) as well affecting the human endocrine system with repeated exposure, and they are toxic for sea life. Because 'greenwashing' is so common now in how products are marketed, it is always best to look at the listed ingredients and do your own research.


  • Use your resources wisely. We don't need to stop painting or making art, a lot of materials artists use are in fact byproducts of other industries (colour pigments for example are made primarily for the automotive industry, and cotton paper is made from waste from the rag trade). Artists have always worked with what is at hand and that can form part of the content of our work. We can though make small decisions that have a real impact. It helps to know that some traditional practices are actually wise. And companies are catching up with the fact artists care.